Love Me Do tells the story of Manchester group The Hollies, who had big hits with songs like Bus Stop, Stay, Just One Look and Long Cool Woman in a Black Dress.
The Hollies were from Manchester in the north of England, about 35 miles (56 kms) east of Liverpool. Formed in 1962, the group was part of the British Invasion that swept the United States in the mid-1960s, alongside other legendary acts such as The Beatles, The Rolling Stones, and The Kinks. Here’s a brief history of The Hollies.
Early Years of The Hollies
The group was formed by childhood friends Allan Clarke and Graham Nash, who both shared a passion for rock and roll and skiffle music. Initially performing as a duo under various names, they eventually settled on The Hollies, allegedly inspired by the Christmas holly but also their love for Buddy Holly.
In 1963, they solidified their lineup with Eric Haydock on bass, Tony Hicks on lead guitar, and Don Rathbone on drums. The group’s early sound was characterized by tight vocal harmonies and a blend of rock and roll and R&B influences.
Breakthrough and Success (1963-1966)
The Hollies signed with EMI’s Parlophone label in 1963, the same label as The Beatles. Their debut single, (Ain’t That) Just Like Me, was released in May 1963 and reached the UK Top 30. This was quickly followed by their first major hit, Stay, which peaked at number eight on the UK Singles Chart.
1964 saw the group release a string of successful singles, including Just One Look, Here I Go Again, and We’re Through. Their consistent chart success established them as a leading force in the British pop scene. The group’s first LP, Stay with The Hollies, was released in January 1964, showcasing their dynamic sound and vocal harmonies.
The Hollies’ Peak Years (1966-1970)
By the mid-1960s, The Hollies had become a household name in the UK and were gaining popularity internationally. The release of Bus Stop in 1966 marked their breakthrough in the United States, reaching the Top 10 on the Billboard Hot 100. This was followed by other hits like Stop Stop Stop, On a Carousel, and Carrie Anne.
During this period, the group experienced lineup changes. Don Rathbone was replaced by Bobby Elliott on drums, and Eric Haydock was succeeded by Bernie Calvert on bass. Despite these changes, The Hollies continued to produce hit after hit, with their sound evolving to incorporate more sophisticated arrangements and production techniques.
The Nash Departure and Continued Success (1971-1980)
In 1968, Graham Nash left the group to eventually form Crosby, Stills & Nash, seeking a different musical direction. His departure was a significant loss, but The Hollies managed to continue their success with the addition of Terry Sylvester as Nash’s replacement.
The early 1970s saw The Hollies experiment with different musical styles, from folk rock to soft rock. Their 1972 hit Long Cool Woman in a Black Dress became one of their biggest successes, reaching number two on the Billboard Hot 100 in the United States. This period also saw the release of other notable tracks such as The Air That I Breathe and He Ain’t Heavy, He’s My Brother, the latter becoming an anthem of sorts for the group.
The Hollies’ Later Years (1980-Present)
Throughout the 1980s and 1990s, The Hollies continued to tour and release music, albeit with less commercial success than their earlier years. The group’s lineup saw further changes, but Allan Clarke and Tony Hicks remained constants. They were inducted into the Rock and Roll Hall of Fame in 2010, recognizing their significant contributions to popular music.
Despite numerous lineup changes, The Hollies have remained active, still performing and recording new material. Their legacy is evident in their enduring influence on subsequent generations of musicians and their timeless hits that continue to resonate with audiences worldwide.
Conclusion
The Hollies’ journey from a Manchester-based group to international pop icons is a testament to their talent, adaptability, and enduring appeal. With a career spanning over six decades, they have left an indelible mark on the history of popular music, thanks to their memorable melodies, tight harmonies, and innovative sound. Whether it’s the catchy hooks of Bus Stop or the emotional depth of He Ain’t Heavy, He’s My Brother, The Hollies’ music remains a beloved part of the pop and rock canon.
One of my favourite Hollies’ CDs, with 20 hits and cover versions performed live on the BBC.
Click on the cover!
One of my favourite Hollies’ CDs, with 20 hits and cover versions performed live on the BBC.
Click on the cover!
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